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The Creative Cauldron
by Katelyn Mariah
I am at the edge of the creative cauldron, peering in over the rim. It is strange
and yet familiar, as I look at my reflection in this dark lightness. The image I
see is a quicksilver reflection of a woman rippling across this smooth cauldron surface.
Who is she? I see such beauty flickering in her face as the full moon shines over
my head. If this is a reflection of me, what has happened? I don't remember this
lovely face.
There is something in her eye that draws me in, and I climb the cauldron's edge and
slip gently into the water. As my body breaks the surface, the water begins to bubble
around me. Kind, fragrant bubbles spit rainbows as they burst. I am surrounded by
beauty in the colors, the fragrance and the warm water that surrounds me. I am back
in the womb. I lean my head back against the edge of this vast, supportive bowl,
close my eyes and relax into the depths. The water envelops we, caresses me with
wet, wonderful lips and sucks me under. I feel myself plunging into the depths of
the water as all that was light turns to darkness and I no longer see clearly. All
the beauty that surrounded me has turned to black, and gray and swirling green. It
frightens me. I drop helplessly into this dark abyss with no anchor to hold me. There
are no familiar landmarks to grab onto. I am just falling into a darkened space.
Frantically kicking my feet, I swim toward the steel-black side of the bowl and plunge
my hand into its icy blackness. My hand only smashes against the darkness, and splits
open, spitting forth my rich, red blood. With nothing to support me, I sink into
the reddened darkness. My body goes limp, as my breath is replaced with wet, amniotic
blackness. Slowly, my lifeless body sinks to the bottom of the void and lands in
the muddy surface at basin end. I become the muck, dirt, rocks and oozing slime.
And I lie there endlessly, alone in the darkness.
All at once there is a stirring in the sludge around me. I feel life return and begin
to pulse and undulate in my body. There is a growing green shoot coming from the
center of my being and it ascends from me like a strong green snake. My lifeless
body remains forever a part of the void at the bottom of the cauldron. Slowly moving
its way through the dark, cold, colorless water, this snake-like green shoot becomes
a stem. As it reaches for the surface, the stem grows stronger, greener and full
of life. As it reaches the surface, a sliver of light becomes visible again, encouraging
the stem to move upward.
Finally, it breaks through the gently bubbling, fragrant water as it bursts forth
in a display of green leaves that lie down on the surface of the water to support
the beautiful lotus that it has birthed from its journey. And the cauldron brings
forth life again.
Image of the Divine
The process of creating visionary image pushes the artist to fall through the creative
cauldron, into themselves and through the illusion that is their own image so they
can retrieve the image of the Divine. This is the dance of creativity as it ebbs
and flows from creative to destructive energies in equal balance.
Visionary artmaking, whether it is writing, visual art, dance or music, is a shamanic
process, and many artists have enhanced powers of seeing, hearing and dreaming that
allow them move easily between the worlds, without experiencing the boundaries that
keep others from exploring those realms. The artist often takes this journey for
self-exploration, but the images, movement, songs and poems that result are transformative,
enlightening, healing and empowering to those who experience their work.
Something must be destroyed in order for something to be created. It is a law of
nature. This is a part of the creative process that must be understood as many artists
through the centuries have been swallowed up by the darkness and never returned.
Why did they drop to the bottom of the creative cauldron and become the mud rather
than retrieve the pearls? It is fear that swallows them up as they see themselves
reflected in the quicksilver face and personality and can't make sense of what they
see.
We fear the darkness, because it lacks the familiar landmarks that anchor us into
feeling safe. It is the place where nightmares chased us as children and the boogieman
hid under our beds and in our closets. Children learn to fear the darkness and that
fear follows them into adulthood.
A physical manifestation of this darkness is the womb. The womb is an excellent prospective
from which to view the process, because it is something we have all experienced.
We remember it in our cells even if we don't remember it in our minds, whether we
are male or female. We are all connected to this space. There is mystery and magic
in the dark void from which we entered this life, which is also the place we return
to when we die.
Fear and excitement
I can feel a sense of fear and excitement when I think of it in this way: excitement
about the creative, birthing aspect of womb space; and fear around the unknown death
aspects. It is this paradox that keeps us ambivalent about darkness. It conjures
fear, because it is nebulous -- and if we go there we may never return. The darkness
of womb space is connected to our origins in this incarnation. It reaches back through
time and space to our very beginnings -- to the time when we were all one with Source
in the void. It is before light, dark, time, space, form and breath. In womb space,
we are connected to all memory, and if the visionary artist can dive into that place
and retrieve that information, what he or she brings back speaks truth to everyone
who views the work. Anyone can tap into this well of wisdom.
Womb space has been called the matrix, the Great Mother and The Earth Mother, and
the cave is its chief symbol. Since ancient times, initiation rights have been performed
in caves, as the initiate returned to the darkness of the womb to vision quest. These
lost, ancient rights must return again, for it is in the space of the womb we can
revisit and remember who we truly are. The womb is the unmanifest, because of its
potential to bring forth life in human form, as well as creative form. In Sumeria,
the word for underworld, the sacred cave and the womb was Matu, meaning "mother."
The oracle at Delphi was thought to be a womb that could be accessed to bring forth
wisdom and knowledge.
The word "hysteria" is now thought of as an out-of-control state of irrationality
and madness that is attributed to menstruating women. It originates from the Greek
word "hustera," which means womb or womb consciousness. To the early Greeks,
hysteria was a condition of shamanic possession and ecstatic trance that was cultivated
by women during menstruation to receive vision and prophecy. But somewhere along
the line in history, hysteria was relegated to a negative state of craziness. We
have lost the ability to tap into this incredible state of womb consciousness that
can connect us to a higher source of wisdom.
"The Dark Night of the Soul" is really a journey into womb space, to the
void and a search for light. It is a frightening place to journey, because we must
go there alone. When we have dropped through fear and the illusions of who we thought
we were and stand naked with our selves and the darkness, magic can happen. When
we are naked, exposed and not sure of who we are, we can open and expand to new possibilities.
This expansion process begins in darkness, for it is within this darkness that our
greatest gifts and treasures are hiding just beyond the light of our current reality.
Edge of my darkness
I have stood at the edge of my own darkness, on the rim of the creative cauldron
and at the cave that leads to my inner landscape many times, and I have trembled.
I have experienced fear pushing me to walk away and not look, while at the same time
my curiosity was calling me to enter. I have been told that bats, snakes, spiders,
monsters and dragons live in dark places. Those scary things have kept me from exploring
earth's caves, which are the womb of the Earth.
Metaphorically, our fear is the dragon that dwells there and the fire is its breath
that will surely burn us. What if that very dragon lives within us? Then what? What
if others see our darkness and run away, because they have mistaken if for a dragon?
It is often safer not to look and pretend there is nothing in our darkness. In reality,
that dragon can become our carriage, and its fiery breath our guiding light -- and
it can carry us to the treasures on our darkened path.
The womb and the void are dark, but they are the space that contains light of our
possibilities. The darkness is the fertile ground where light can grow. If we are
women, the seeds of our future children in physical form are planted there. For all
of us, the seeds of the children of our creativity are planted there just waiting
to grow into a beautiful garden. The vast space of the womb holds our passion, our
power, our creativity, wisdom and truth.
If we can allow ourselves to drop into what appears to be a deep, dark endless cavern
of no return, we can soar like birds through this expansive landscape and retrieve
the treasures that are planted there. Then beauty can be revealed to us from within
our darkest dream.
The italicized piece, which begins this article, and the poem below, come from dark
womb space. As above, so below.
AFTER THE ECLIPSE
The planetary playground
does a torque on me
pulling me into the deep abyss
of the dark and endless sea.
Just like an ancient friend;
this witch of alchemy
leads me back to the cauldron's rim
and plays her tricks with me.
Swirling bubbling cauldron
of polarity, twists and turn
lightning striking to my core
the pressure of it burns.
The sun and moon in cosmic dance.
in union in the darkened sky
body mind and spirit trance
the old begins to die.
In this alchemical moment
when dark and light combine
the heat is burning away the old
and the new begins to define.
As I with stand this pressure,
with courage that is bold
the sun and moon eclipse within
my spirit turns to gold.
May 26, 2002
Katelyn Mariah, BFA, MA, LICSW, is a visionary artist and expressive therapist
trained in art and play therapy. She works with others to release blocks to creative
expression. She is the creator of the Awaken the Goddess Meditation Deck and the
game, Angry Animals. Katelyn also creates soul portraits, healing dolls and rattles
and medicine bags for individuals through her Healing Art Sessions. She can be reached
at (651) 646-8306.
Copyright (c) 2002 Katelyn Mariah
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July 2002
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